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简介
大师镜头(第一卷): 低成本拍大片的100个高级技巧(第2版) 豆 8.6分
资源最后更新于 2020-09-15 15:10:22
作者:肯沃斯
译者:魏俊彦
出版社:电子工业出版社
出版日期:2013-01
ISBN:9787121188725
文件格式: pdf
标签: 电影 摄影 电影理论 镜头设计 艺术 电影艺术 镜头 电影镜头
简介· · · · · ·
《大师镜头(第1卷):低成本拍大片的100个高级技巧(第2版)》能给你灵感,让你有冲动去尝试那些复杂的、创意十足的镜头。书中引用的例证全都来自于大片,那些设备是你买不起的,钱也是你花不起的,但没关系,我们就是想告诉你,只要一台手持摄影机,你也能拍出同样惊艳的效果。这些技巧并不能马上让你成为优秀的导演,但了解它们,你才会知道电影怎样拍才有效果。
目录
第一章 打斗镜头
1.1 长焦特效.......................................................2
1.2 一记重拳.......................................................4
1.3 紧跟演员拍摄................................................6
1.4 打倒在地.......................................................8
1.5 分别拍摄角色..............................................10
1.6 近地仰拍.....................................................12
1.7 含蓄的暴力.................................................14
1.8 胜利瞬间.....................................................16
第二章 追逐镜头
2.1 紧跟被追踪者..............................................20
2.2 长焦摇拍.....................................................22
2.3 狭窄空间中追逐..........................................24
2.4 宽阔空间中追逐..........................................26
2.5 制造惊恐.....................................................28
2.6 看不见的追踪者..........................................30
2.7 突然袭击.....................................................32
2.8 神出鬼没.....................................................34
2.9 千钧一发.....................................................36
2.10 追踪的脚步...............................................38
第三章 角色登场和退场
3.1 焦点转换.................................................... 42
3.2 从背景中突然现身.......................................44
3.3 华丽转身.....................................................46
3.4 静静现身.....................................................48
3.5 关窗............................................................50
3.6 场景无缝转换..............................................52
3.7 摇拍中渐行渐远..........................................54
3.8 转变演员行走方向.......................................56
第四章 悬疑、搜索与潜伏
4.1 轻微后退.................................................... 60
4.2 未知之惧.....................................................62
4.3 紧张期待.....................................................64
4.4 空无之惧.....................................................66
4.5 放大空间.....................................................68
4.6 两个场景同时进行.......................................70
4.7 寻找线索.....................................................72
4.8 静中生疑.....................................................74
4.9 危险逼近.....................................................76
第五章 情节变化
5.1 镜头推近.................................................... 80
5.2 戏剧性的一刻..............................................82
5.3 摇拍加移步.................................................84
5.4 背景移动.....................................................86
5.5 围绕角色拍摄..............................................88
5.6 人机同时转向..............................................90
5.7 无法逃脱.....................................................92
5.8 突出静态.....................................................94
5.9 运用移动道具..............................................96
第六章 现身和发现
6.1 利用镜面门.............................................. 100
6.2 拉开帷幕...................................................102
6.3 鹤立鸡群...................................................104
6.4 走出阴影...................................................106
6.5 慢速呈现...................................................108
6.6 平行拍摄...................................................110
6.7 前进受阻...................................................112
6.8 目光转移...................................................114
6.9 目光扫视...................................................116
第七章 惊惧镜头
7.1 营造紧张气氛........................................... 120
7.2 误导的震惊...............................................122
7.3 吓人的角色...............................................124
7.4 恐惧之地...................................................126
7.5 空旷空间...................................................128
7.6 视觉惊吓...................................................130
7.7 无路可逃...................................................132
7.8 出其不意...................................................134
7.9 窗外的脸...................................................136
第八章 引导注意力
8.1 线索物...................................................... 140
8.2 人物交替...................................................142
8.3 掉头..........................................................144
8.4 反射..........................................................146
8.5 停下脚步...................................................148
8.6 夺目色彩...................................................150
8.7 变换演员位置............................................152
第九章 车内场景
9.1 前座视角拍摄........................................... 156
9.2 后座视角拍摄............................................158
9.3 车内对话...................................................160
9.4 车静止时拍摄............................................162
9.5 下车离开...................................................164
9.6 边走边谈...................................................166
9.7 透过车窗拍摄............................................168
第十章 对话场景
10.1 推近拍摄对话......................................... 172
10.2 背景逐渐淡出..........................................174
10.3 分享镜头.................................................176
10.4 肩并肩.....................................................178
10.5 不同高度.................................................180
10.6 互瞥........................................................182
10.7 镜中对话.................................................184
10.8 边走边谈.................................................186
第十一章 争执和冲突
11.1 绕圈....................................................... 190
11.2 镜头袭来.................................................192
11.3 防卫的镜头.............................................194
11.4 扑向镜头.................................................196
11.5 冲动之举.................................................198
11.6 肢体语言对抗..........................................200
11.7 边走边吵.................................................202
11.8 十字交叉.................................................204
第十二章 爱情与激情场景
12.1 眼神交流................................................ 208
12.2 拍摄初吻.................................................210
12.3 亲吻的角度.............................................212
12.4 浪漫躺上床.............................................214
12.5 只拍面部.................................................216
12.6 仰起脸.....................................................218
12.7 缠绵之刻.................................................220
12.8 细节取胜.................................................222
结语..................................................................225
1.1 长焦特效.......................................................2
1.2 一记重拳.......................................................4
1.3 紧跟演员拍摄................................................6
1.4 打倒在地.......................................................8
1.5 分别拍摄角色..............................................10
1.6 近地仰拍.....................................................12
1.7 含蓄的暴力.................................................14
1.8 胜利瞬间.....................................................16
第二章 追逐镜头
2.1 紧跟被追踪者..............................................20
2.2 长焦摇拍.....................................................22
2.3 狭窄空间中追逐..........................................24
2.4 宽阔空间中追逐..........................................26
2.5 制造惊恐.....................................................28
2.6 看不见的追踪者..........................................30
2.7 突然袭击.....................................................32
2.8 神出鬼没.....................................................34
2.9 千钧一发.....................................................36
2.10 追踪的脚步...............................................38
第三章 角色登场和退场
3.1 焦点转换.................................................... 42
3.2 从背景中突然现身.......................................44
3.3 华丽转身.....................................................46
3.4 静静现身.....................................................48
3.5 关窗............................................................50
3.6 场景无缝转换..............................................52
3.7 摇拍中渐行渐远..........................................54
3.8 转变演员行走方向.......................................56
第四章 悬疑、搜索与潜伏
4.1 轻微后退.................................................... 60
4.2 未知之惧.....................................................62
4.3 紧张期待.....................................................64
4.4 空无之惧.....................................................66
4.5 放大空间.....................................................68
4.6 两个场景同时进行.......................................70
4.7 寻找线索.....................................................72
4.8 静中生疑.....................................................74
4.9 危险逼近.....................................................76
第五章 情节变化
5.1 镜头推近.................................................... 80
5.2 戏剧性的一刻..............................................82
5.3 摇拍加移步.................................................84
5.4 背景移动.....................................................86
5.5 围绕角色拍摄..............................................88
5.6 人机同时转向..............................................90
5.7 无法逃脱.....................................................92
5.8 突出静态.....................................................94
5.9 运用移动道具..............................................96
第六章 现身和发现
6.1 利用镜面门.............................................. 100
6.2 拉开帷幕...................................................102
6.3 鹤立鸡群...................................................104
6.4 走出阴影...................................................106
6.5 慢速呈现...................................................108
6.6 平行拍摄...................................................110
6.7 前进受阻...................................................112
6.8 目光转移...................................................114
6.9 目光扫视...................................................116
第七章 惊惧镜头
7.1 营造紧张气氛........................................... 120
7.2 误导的震惊...............................................122
7.3 吓人的角色...............................................124
7.4 恐惧之地...................................................126
7.5 空旷空间...................................................128
7.6 视觉惊吓...................................................130
7.7 无路可逃...................................................132
7.8 出其不意...................................................134
7.9 窗外的脸...................................................136
第八章 引导注意力
8.1 线索物...................................................... 140
8.2 人物交替...................................................142
8.3 掉头..........................................................144
8.4 反射..........................................................146
8.5 停下脚步...................................................148
8.6 夺目色彩...................................................150
8.7 变换演员位置............................................152
第九章 车内场景
9.1 前座视角拍摄........................................... 156
9.2 后座视角拍摄............................................158
9.3 车内对话...................................................160
9.4 车静止时拍摄............................................162
9.5 下车离开...................................................164
9.6 边走边谈...................................................166
9.7 透过车窗拍摄............................................168
第十章 对话场景
10.1 推近拍摄对话......................................... 172
10.2 背景逐渐淡出..........................................174
10.3 分享镜头.................................................176
10.4 肩并肩.....................................................178
10.5 不同高度.................................................180
10.6 互瞥........................................................182
10.7 镜中对话.................................................184
10.8 边走边谈.................................................186
第十一章 争执和冲突
11.1 绕圈....................................................... 190
11.2 镜头袭来.................................................192
11.3 防卫的镜头.............................................194
11.4 扑向镜头.................................................196
11.5 冲动之举.................................................198
11.6 肢体语言对抗..........................................200
11.7 边走边吵.................................................202
11.8 十字交叉.................................................204
第十二章 爱情与激情场景
12.1 眼神交流................................................ 208
12.2 拍摄初吻.................................................210
12.3 亲吻的角度.............................................212
12.4 浪漫躺上床.............................................214
12.5 只拍面部.................................................216
12.6 仰起脸.....................................................218
12.7 缠绵之刻.................................................220
12.8 细节取胜.................................................222
结语..................................................................225