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简介
The Cold War and Asian Cinemas 豆 0.0分
资源最后更新于 2020-09-15 15:13:52
作者：Poshek Fu
出版社：
出版日期：2019-01
ISBN：9781138353817
文件格式： pdf
标签： 电影
简介· · · · · ·
This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus.
This volume makes a major contribution to constructing a cultural and popular cin...
目录
Introduction
Part I: Transnational Connections
Art in Propaganda: The Poetics and Politics of Vietnamese Revolutionary Cinema
Man-Fung Yip
Incomplete Pictures: Mediated Immediacy in the South Korean Newsreel, The Frontline in Vietnam
Namhee Han
Gained in Translation: The Reception of Foreign Films in Cold War China
Jie Li
Contested Chineseness and Third Sister Liu in Singapore and Hong Kong: Folk Songs, Landscape, and Cold War Politics in Asia
Lanjun Xu
Part II: Global Conflicts, Local Formations
Educational Films in Postwar Japan: Traces of American Cultural Policies in the Cold War Period
Mitsuyo Wada-Marciano
The Cold War as Media Environment in 1960s Japanese Cinema
Michael Raine
Vehicles of Modernity: Gender, Mobility and Music in Evan Yang’s MP&GI films
Jessica Tan
Socks and Revolution: The Politics of Consumption in Sentinels under the Neon Lights (1964)
Calvin Hui
Archive Revisionisms: Reevaluating South Korea’s State Film Censorship of the Cold War Era
Hye Seung Chung
Indian Cinema, Indian Democracy: An Unusual Cold War Saga, 1947-1989
Rini Bhattacharya Mehta
Part III: Struggle for Hearts and Minds
Tropical Cold War Horror: Penumpasan Pengkhianatan G30S/PKI and the Traumatized Culture of Suharto’s New Order
Michael G. Vann
Entertainment and Propaganda: Hong Kong Cinema, 1946-1959
Poshek Fu
The End of an Era: The Cultural Revolution, Modernization, and the Demise of Hong Kong Leftist Cinema
Man-Fung Yip
Who Views Whom through Whose Lenses? The Gazes in USIS Film Propaganda in South Korea
Han Sang Kim
Part I: Transnational Connections
Art in Propaganda: The Poetics and Politics of Vietnamese Revolutionary Cinema
Man-Fung Yip
Incomplete Pictures: Mediated Immediacy in the South Korean Newsreel, The Frontline in Vietnam
Namhee Han
Gained in Translation: The Reception of Foreign Films in Cold War China
Jie Li
Contested Chineseness and Third Sister Liu in Singapore and Hong Kong: Folk Songs, Landscape, and Cold War Politics in Asia
Lanjun Xu
Part II: Global Conflicts, Local Formations
Educational Films in Postwar Japan: Traces of American Cultural Policies in the Cold War Period
Mitsuyo Wada-Marciano
The Cold War as Media Environment in 1960s Japanese Cinema
Michael Raine
Vehicles of Modernity: Gender, Mobility and Music in Evan Yang’s MP&GI films
Jessica Tan
Socks and Revolution: The Politics of Consumption in Sentinels under the Neon Lights (1964)
Calvin Hui
Archive Revisionisms: Reevaluating South Korea’s State Film Censorship of the Cold War Era
Hye Seung Chung
Indian Cinema, Indian Democracy: An Unusual Cold War Saga, 1947-1989
Rini Bhattacharya Mehta
Part III: Struggle for Hearts and Minds
Tropical Cold War Horror: Penumpasan Pengkhianatan G30S/PKI and the Traumatized Culture of Suharto’s New Order
Michael G. Vann
Entertainment and Propaganda: Hong Kong Cinema, 1946-1959
Poshek Fu
The End of an Era: The Cultural Revolution, Modernization, and the Demise of Hong Kong Leftist Cinema
Man-Fung Yip
Who Views Whom through Whose Lenses? The Gazes in USIS Film Propaganda in South Korea
Han Sang Kim
