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简介
Hong Kong Horror Cinema 豆 0.0分
资源最后更新于 2020-09-16 15:13:12
作者：Gary Bettinson; Daniel Martin
出版社：Edinburgh University Press
出版日期：2018-01
ISBN：9781474424592
文件格式： pdf
简介· · · · · ·
The first book-length English-language study of Hong Kong horror films
Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis...
目录
Acknowledgements
Notes on Contributors
Introduction; Gary Bettinson & Daniel Martin
Part I: Formations and Fragmentations: The Development of Hong Kong Horror
Chapter 1: What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s; Raymond Tsang
Chapter 2: The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers; Liang Luo
Chapter 3: From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context; Andy Willis
Chapter 4: The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror; Daniel Martin
Part II: Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror
Chapter 5: Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror; Andrew Grossman
Chapter 6: Performing (Comic) Abjection in the Hong Kong Ghost Story; Felicia Chan
Chapter 7: Hands, Fingers, and Fists: ‘Grasping’ Hong Kong Horror Films; David Scott Diffrient
Chapter 8: Tsui Hark’s Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema; Kenneth Chan
Part III: Transnational Trends: Globalization and Politics in Contemporary Hong Kong Horror
Chapter 9: Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye; Enrique Ajuria Ibarra
Chapter 10: Food for Thought: Cannibalism in The Untold Story and Dumplings; Lisa Odham Stokes
Chapter 11: Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung’s Dream Home; Gary Bettinson
Chapter 12: Ghostly Returns: The Politics of Horror in Hong Kong Cinema; Vivian Lee
Notes on Contributors
Introduction; Gary Bettinson & Daniel Martin
Part I: Formations and Fragmentations: The Development of Hong Kong Horror
Chapter 1: What Can a Neoi Gwei Teach Us? Adaptation as Reincarnation in Hong Kong Horror of the 1950s; Raymond Tsang
Chapter 2: The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd Pleasers; Liang Luo
Chapter 3: From Killer Snakes to Taxi Hunters: Hong Kong Horror in an Exploitation Context; Andy Willis
Chapter 4: The Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous Other in the Hong Kong Fantasy-Horror; Daniel Martin
Part II: Genre Hybridity: Comedy and Kung-Fu in the Hong Kong Horror
Chapter 5: Animated Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror; Andrew Grossman
Chapter 6: Performing (Comic) Abjection in the Hong Kong Ghost Story; Felicia Chan
Chapter 7: Hands, Fingers, and Fists: ‘Grasping’ Hong Kong Horror Films; David Scott Diffrient
Chapter 8: Tsui Hark’s Detective Dee Films: Police Procedural Colludes with Supernatural-Martial Arts Cinema; Kenneth Chan
Part III: Transnational Trends: Globalization and Politics in Contemporary Hong Kong Horror
Chapter 9: Cross-Border Implications: Transnational Haunting, Gender, and the Persistent Look of The Eye; Enrique Ajuria Ibarra
Chapter 10: Food for Thought: Cannibalism in The Untold Story and Dumplings; Lisa Odham Stokes
Chapter 11: Sympathy for the Slasher: Strategies of Character Engagement in Pang Ho-cheung’s Dream Home; Gary Bettinson
Chapter 12: Ghostly Returns: The Politics of Horror in Hong Kong Cinema; Vivian Lee
